• Wed. Oct 22nd, 2025
and why it might just be the most artist-friendly tool of the modern age.——

Once upon a time, selling your art meant gatekeepers: galleries, printers, inventory, and—if you were lucky—wall space. You’d invest heavily up front in stock that might or might not sell, pay for postage, and spend hours packing and tracking orders. And if you wanted your work on products like tote bags or cushions? That was a whole other level of expense and logistics.

Then came print-on-demand.

A Quiet Revolution

The first murmurs of print-on-demand (POD) began in publishing in the late 1990s, where books could be printed and shipped one at a time—no warehouses, no bulk orders. For artists, this concept soon expanded: why not offer prints, cards, or canvas reproductions without ever holding stock?

By the mid-2000s, POD platforms started opening doors. Artists could upload high-resolution files, choose what they wanted to sell—posters, mugs, even shower curtains—and let the service handle the rest: printing, packaging, and posting.

It didn’t just change how we sold. It changed who could sell.

Accessibility, Without Apology

Suddenly, you didn’t need to live in a city, know a gallery owner, or print 100 copies of every painting. You just needed a scanner and a decent photo. POD gave power to small studios, rural artists, hobbyists, and full-timers alike.

It let us test ideas without risk, reach global buyers, and build income streams that could grow quietly while we got back to what we love most—creating.

But Not All POD Is Equal

Here’s where the story gets interesting. Because with growth came clutter. The market filled with POD platforms—some excellent, some dubious. Quality control varied. Customer service ranged from brilliant to ghosted. And not every site was artist-first.

That’s why Pixels.com (the sister site of Fine Art America) remains a favourite for so many of us.

Why Pixels.com Deserves a Shout-Out

  • Professional-grade prints on canvas, metal, acrylic, and more
  • Global fulfilment centres for faster shipping
  • A personal storefront you can brand and customise
  • No upfront fees—you upload, they do the heavy lifting
  • You set your own prices and stay in control

Pixels is ideal whether you’re just starting out or expanding into new product lines. It’s trusted, well-run, and actually focused on artists—something that’s increasingly rare.

Final Thoughts

Print-on-demand isn’t just a trend. It’s a transformation.

It allows us to focus on the craft instead of the commerce. To offer work affordably without undervaluing it. And to share our art with people who would never have found it otherwise.

Whether you’re selling full collections or the occasional piece, print-on-demand is here to stay—and Pixels.com makes it easy, elegant, and artist-focused.

By Abbie Shores

Abbie Shores is a British artist, writer, and arts community manager currently based in Manchester. Her creative work is inspired by countryside walks, dogs and horses, and a love of myth-infused storytelling. She is the founder of Our Arts Magazine and author of the Whispers of the Wolf fantasy series. As an autistic creator, she brings unique focus, depth, and insight to her work. Friends know her as Frankie—a nod to the warmth and quiet humour beneath her professional calm.

Our Arts Magazine
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