• Wed. Oct 22nd, 2025
It’s a debate that rolls around every few months in creative circles: Should I list my prices online?Some artists, writers, designers, and photographers proudly display their pricing structure front and centre. Others prefer a “message me for a quote” approach. And both camps have strong opinions. But what’s actually best for you?

Let’s break it down honestly, and with your sanity (and sustainability) in mind.

Why Some Creatives Avoid Public Pricing

  • Custom work is complex: Every job is different. One painting might take 10 hours, another 60. A logo for a local café is different from branding for an international startup.
  • Fear of sticker shock: You’re worried someone will see your price and scroll away before understanding the value.
  • Undercutting & comparison: In a saturated market, it’s hard not to feel exposed—like your worth is being pitted against everyone else’s.
  • Negotiation flexibility: Leaving it open allows you to tailor prices to the client’s budget, project scope, or timeline.

But Hiding Your Prices Might Be Hurting You

  • Create friction: Clients may not reach out if they have no idea what to expect.
  • Waste your time: You may find yourself answering the same questions repeatedly—only to hear “oh, that’s too much.”
  • Undermine your confidence: You might be tempted to undersell in private negotiations.
  • Signal inexperience: Many clients associate hidden pricing with either being brand new—or being unsure.

What’s the Middle Ground?

You don’t have to list every possible price, but you can still offer guidance. Try:

  • “Portrait commissions start at £200”
  • “Packages from £300–£1,200”
  • “Writing rates from £60 per 1,000 words”

Or post a pricing guide PDF with examples and ranges. Another strategy is a full page explaining how your pricing works—what affects it, and how to start a conversation with you.

 

By Abbie Shores

Abbie Shores is a British artist, writer, and arts community manager currently based in Manchester. Her creative work is inspired by countryside walks, dogs and horses, and a love of myth-infused storytelling. She is the founder of Our Arts Magazine and author of the Whispers of the Wolf fantasy series. As an autistic creator, she brings unique focus, depth, and insight to her work. Friends know her as Frankie—a nod to the warmth and quiet humour beneath her professional calm.

Our Arts Magazine
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