• Thu. Aug 28th, 2025

There is a stubborn and damaging idea still lingering in the corners of our creative communities — that poverty somehow purifies art. That hunger makes work more ‘authentic.’ That only those who suffer deserve to create.

Let me be direct: this is nonsense.

Romanticising the “starving artist” is a myth built on outdated ideals and wrapped in the kind of rhetoric that lets governments, institutions, and buyers off the hook. It’s a fallacy with roots in elitism, economics, and wilful neglect — not in artistic value. And it’s time we buried it, properly and publicly.

Creativity is not a luxury. It is not a vice.

Art is work. It is skill. It is time, training, tools, and talent. The notion that struggling financially somehow makes one more worthy as a creative is not only insulting — it’s dangerous. It keeps artists from charging fair prices. It fuels guilt when they succeed. And it allows society to consume their output while ignoring their reality.

Many artists aren’t starving because they’re passionate. They’re starving because policy fails them. Because affordable housing is rare. Because healthcare is a privilege, not a right. Because universal basic income is still seen as a radical idea. Because schools cut art first and pay teachers last.

Let’s be crystal clear: people aren’t broke because they’re artists. They’re broke because capitalism doesn’t value creative labour unless it’s commercially viable — and even then, only if it can be exploited.

Suffering is not a prerequisite for depth.

Meffert's Rotational Puzzles

The other side of the myth insists that hardship makes art more ‘real.’ That only someone who’s lived through hunger, trauma, or rejection can create something meaningful. This is not only patently false — it is cruel.

Yes, lived experience can shape profound, powerful work. But so can curiosity. So can beauty. So can boredom, joy, and everything in between. Pain is not a currency. And turning it into one turns human experience into performance.

No one should feel obligated to bleed to be taken seriously.

The real danger? Artists who believe it too.

When the myth is internalised, it poisons potential. Artists begin to feel guilty for charging. They downplay their needs. They turn down opportunities if they don’t feel ‘desperate enough’. They under-price themselves to remain ‘relatable.’

But there is no honour in struggling when it’s avoidable. There is no shame in thriving when you’ve earned it.

What needs to change?

  • We must stop idolising poverty. Support artists because they’re skilled — not because they’re suffering.

  • We must push for fair payment. Exposure is not payment. Passion does not replace rent.

  • We must change policy. Art funding, basic income, universal healthcare — these are not luxuries. They are survival tools.

  • We must rewrite the narrative. The artist who eats well, lives comfortably, and still creates brilliant work? That’s the new ideal.

Let’s say it plainly: the starving artist myth is not noble, it’s negligent. It’s time to let it die — loudly, publicly, and with purpose.

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By Abbie Shores

Abbie Shores is a British artist, writer, and arts community manager currently based in Manchester. Her creative work is inspired by countryside walks, dogs and horses, and a love of myth-infused storytelling. She is the founder of Our Arts Magazine and author of the Whispers of the Wolf fantasy series. As an autistic creator, she brings unique focus, depth, and insight to her work. Friends know her as Frankie—a nod to the warmth and quiet humour beneath her professional calm.

One thought on “The Myth of the Starving Artist: Why It’s Time to Let That Die”
  1. Great post and you hit the nail right on the head. Artists are valuable contributors to society and the well-being of humankind, just like any other arts, crafts, or science person, and it is time they are treated that way and not as eccentric outlaws of some sort. The distinction between wealthy, well-known artists and the rest of us also needs to stop.

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